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4.2
3.763 Puanlama

Possession

Yönetmen Andrzej Żuławski
Fransa, Bati Almanya, 1981
Drama

Özet

Bir kedi fare oyunu gibi asla sonu gelmeyen bir spiral merdiven filmi, göklere duyulan ahlaki bir istek, Tanrı üzerine tutulan bir “sahne ışığı”, alaycı bir dedektif filmi, bir korku filmi, ürkütücü, yüksek oktanlı bir barok çalışma. Bunların hepsini tek seferde vadediyor.

Possession Yönetmen Andrzej Żuławski

Ödüller & Festivaller

Cannes Film Festival

1981 | 1 ödül: Best Actress

1981 | 1 dalda aday: Palme d'Or

São Paulo International Film Festival

1981 | 1 ödül: Critics Award

César Awards

1982 | 1 ödül: Best Actress

This dingy, claustrophobic fever-dream factory points to the origins of Żuławski’s fragmented, hysterical style: in a wartime reality where even relative safety resembled the stuff of nightmares.
April 21, 2018
Bütün yazıyı oku
Trying to synopsize Possession is next to impossible because it’s a film that has the feel and texture of a nervous breakdown; it’s cinema as fugue state. And Adjani, who won Best Actress at the 1981 Cannes Film Festival, is the whirling dervish at the center of it all. Few actresses have ever been given scenes to play like the one where Anna writhes through a subway tunnel as the camera turns pirouettes around her. It’s intense, terrifying, and unforgettable.
September 21, 2017
Bütün yazıyı oku
…It is this directness, this clear and present horror that makes Possession so great and singular. Filmed in West Berlin, the film bears both the scars of World War II and the botched reconstructive surgery of the city’s Cold War division. A more politically minded film might have looked to the Wall as a metaphor for the disruptive and destructive separation between the couple. But Possession, like a Stephen King novel, consumes and obliterates social anxieties in favor of the primal.
March 28, 2016
Bütün yazıyı oku

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