Sleeping Beauty's finicky clinicism contrasts with Some Call it Loving's lugubrious artiness, and yet both films are engaged with fantasy role-play in a way that concedes its appeal while hinting at the dangers of such an arrangement. They prove most instructive as a double bill—two very differently angled and yet fundamentally compatible explorations of the gap between female representation and subjectivity, in life and more obviously in Leigh's case, at the movies.
Adam Nayman
Haziran 15, 2016