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4.0
762 Puanlama

Sorcerer

Yönetmen William Friedkin
ABD, 1977
Aksiyon, Drama, Macera

Özet

A group of outcasts from different backgrounds/nationalities are forced by misfortune to work in a remote oil drilling operation in South America…

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Sorcerer Yönetmen William Friedkin
…The perverse gambit of Sorcerer, and Friedkin’s work generally, is to take a certain amount of joy in this cosmic pessimism. A maxim from the great Romanian poet-philosopher Emil Cioran could serve as the epigraph to Friedkin’s filmography: "The fact that life has no meaning is a reason to live—moreover, the only one.
June 05, 2014
Bütün yazıyı oku
A certain kind of moviegoer is going to find this unspeakably satisfying (fans of Sam Peckinpah’s hot-spot misadventures like Bring Me the Head of Alfredo Garcia). By the time Sorcerer gets around to its rain-soaked, rickety-bridge set piece, you’ll either be obsessed or fully checked out. Give yourself a chance to pick sides.
May 27, 2014
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Almost invisible in the original, the natives here are more restive. Nature is also more malevolent; at one point, the trees and vines seem to reach out of the jungle to trap the trucks. Mr. Friedkin’s explosions are more elaborate, and his ending is more fatalistic than Clouzot’s, but if “The Wages of Fear” seemed to have something to do with the atomic bomb, “Sorcerer” is very much a movie about the disaster of its own making.
May 09, 2014
Bütün yazıyı oku

İnsanlar ne diyor?

  • Graveyard Poet's rating of the film Sorcerer

    William Friedkin's greatest film--a gritty, suspenseful story of the corruptions of money and oil as four men undertake a dangerous journey through the jungles of Latin America. The tense and treacherous bridge sequence and Roy Scheider's desert hallucination/insanity scene stand out. A chronicle of greed (like Treasure of the Sierra Madre) and madness (like Apocalypse Now).

  • Mugino's rating of the film Sorcerer

    This is Friedkin's "Apocalypse Now", a passion project so marred by logistical and financial troubles that it drove cast and crew to the brink. The concurrent success of "Star Wars" may have buried it in obscurity, but its gritty nihilism makes it a more compelling adaptation of "Le salaire de la peur" than Clouzot's. Friedkin envisioned a "hell on earth" and that is exactly what he delivers.

  • Lights in the Dusk's rating of the film Sorcerer

    While the front-loading of character exposition could've been more carefully interwoven, Sorcerer is no less of an achievement. Taking an old-fashioned adventure story & pushing it to the extremes of new Hollywood excess, the film maintains a fearless push for authenticity so prevalent in '70s cinema. The final act & its use of montage to illustrate a character's descent into madness & desperation are unforgettable.

  • Daniel S.'s rating of the film Sorcerer

    Blu-Ray and Director's cut do justice to William Friedkin's masterpiece 'Sorcerer' that was cursed until recently. A Symphony in Green, Red and Blue deserving to stay as one of the best adventure movies ever shot. No Future. Masterpiece.

  • Scorpio Velvet's rating of the film Sorcerer

    Quite an adventure film - Friedkin reunites with Scheider to remake Clouzot's classic. The film's first half was little slow, then kicked things up later to become adventurous & artistic sometimes. The bridge scenes were really powerful but amazing to watch plus Tangerine Dream's score is good listening to. It is well shot and unforgettable once you've seen it. Another rare work from Friedkin.

  • HKFanatic's rating of the film Sorcerer

    A terse, existentialist action picture from a filmmaker operating at the peak of his powers. The characters here are more like sketches than men. William Friedkin's exploration of capitalist greed and developing world exploitation is perhaps even more relevant now than in 1977, in large part because the economic systems which "Sorcerer" criticizes are still in place - and still grinding the individual into dust.

  • Roscoe's rating of the film Sorcerer

    A good piece of Big 1970s movie-making, tense and exciting and frankly more than a bit pretentious. It is terribly eager to be a Big Statement about something, and the strain shows in several scenes where common sense is remarkably absent. For instance -- why didn't they wait to cross that bridge until it stopped raining?

  • Palmat's rating of the film Sorcerer

    Tense and sometimes riveting story with a really good first act. The middle drags a bit but Friedkin delivers in spades in the third act. I dig the tone and feel of the movie and the cast is good but unfortunately not great. The stand out for me is Tangerine Dream's stellar score which worth your time alone.

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