For a better experience on MUBI, update your browser.
MUBI Kiralama
4.2
2.336 Puanlama

Tabu

Yönetmen Miguel Gomes
Portekiz, Almanya, 2012
Drama, Romantik

Özet

Sağı solu belli olmayan yaşlı bir kadın, onun Cape Verdean’lı hizmetçisi ve toplumsal bilinç sahibi komşusu Lizbon’da bir apartmanın aynı katında yaşamaktadırlar. Yaşlı kadın hastalanınca öbür ikisi onun hayatından acayip bir olay öğrenirler: bir aşk hikayesi ve Afrika’da meydana gelen bir suç.

Yorumumuz

Miguel Gomes’in yaşlılığa, hafızaya ve klasik sinemaya iki yönlü övgüsü; büyüleyici, kendine özgü atmosferiyle çoğunlukla eğlenceli bir yolculuk. Ustaca yapılmış Arabian Nights gibi Tabu’yu da kategorize etmek neredeyse imkânsız ama bir şey kesin: Bu 2010’ların zirve sanat filmlerinden.

Tabu Yönetmen Miguel Gomes

Ödüller & Festivaller

Berlin International Film Festival

2012 | 1 ödül: FIPRESCI Prize

Village Voice Film Poll

2012 | 2 dalda aday: Best Director

Indiewire Critics' Poll

2012 | 1 dalda aday: Best Director

The strength of Tabu lies in how powerfully sex is captured, offering aural and visual textures that inspire sensorial memories. The black and white imagery of beautiful people making love behind layers of mosquito nets is a beautiful vision. The sex looks good, feels good, but it’s still just sex. But the nostalgia for this moment of time is unreal, rooted in a nostalgia for a broken system and a broken time.
July 16, 2015
Bütün yazıyı oku
Despite the many reviews that describe it as “lush”, this extravagance is almost entirely an illusion, a tribute to Gomes’ ingenuity more than his budget. The director and his collaborators… have testified to the hard fact that, when they arrived on location in Africa, the budget evaporated – leaving the “central committee” listed in the credits with the task of devising a new, radically reworked script day by day.
February 06, 2014
Bütün yazıyı oku
Without denying the devastating impact of Portuguese colonialism, Gomes acknowledges that it fed the colonials’ desire to experience life as the stuff of myth. In this regard, colonialism had much in common with cinema, enabling people to remake the world according to their own fantasies. Those fantasies may have died out, but Tabu unsettlingly suggests that they continue to haunt the Portuguese, who have yet to find a comparable dream to take their place in the imagination.
April 03, 2013
Bütün yazıyı oku

İnsanlar ne diyor?

  • Jason's rating of the film Tabu

    I love Tabu. It seems like it has been joyfully jerry-rigged to represent all that is most wonderful in contemporary cinema. It is supremely global, though two key influences also have a Portuguese connection. The big one is Ruiz. But earlier Ruiz, primarily. Then, almost completely unrelated, Pedro Costa, I suspect consciously, in the first half. The split-in-two structure and use of sound also invoke Apichatpong.

  • GoSpeedGo!'s rating of the film Tabu

    Watched it for the fifth or sixth time last night and could go on about it for hours. The cut to Aurora's face when Ventura starts telling the story is still the most shiver-inducing transition. Ghosts from the past suddenly reemerge, probably more beautiful than they originally were, but that's life and memory for you. One of the best films of this century.

  • Michael H. CLAES's rating of the film Tabu

    Le Paradis & le Paradis Perdu, film étrange, inclassable, tragique & beau. Je dis souvent que quelque chose qui commence mal ne peut pas se terminer bien, en voici une édifiante illustration. Culte. Sans concession. Inoubliable. === Paradise & Paradise Lost, strange, tragic & beautiful film. I often say something that starts badly cannot end well, here's an uplifting illustration. Uncompromising. Unforgettable. Rare.

  • FilmEdie's rating of the film Tabu

    Was colonialism: A moment of untamed and passionate youth? The growing pains of an evolving moral consciousness? Simply evocative cinematic backdrop? If no, (hint: the answer is no) then we're left with some problematic filmmaking. Very glad this wasn't my first Gomes. Not that it didn't have charm, display talent, develop his style... It did. While being about as ill-advised and aversive as its characters. 2.75.

  • lndah's rating of the film Tabu

    I could hate this with my bearing as a kid growing up in a third world country. To put it aside, everything in this film is mesmerizing; the cast, the music, the narration, the color, all appear on its best to retell the story of forbidden and unspeakable romance. It managed to have style and effective story telling in balance. So neat.

  • Rafael Zen's rating of the film Tabu

    Poetry, voice over orgasms and photography - the three step flow of this film. Gomes builds a very grown up cinema, getting a lot of work done in 2 hours. Every scene is delightful, and every second you get deeper and deeper on his jungle dream. Tabu is a dreamy work of cinema as a form of art.

  • Zac Weber's rating of the film Tabu

    Tabu requires patience, but the 2nd half beautifully explores the construction of memory and identity. At times slow, but more often hypnotizing and mysterious. Gomes' film is all the more rich because of his ability to subtly capture the reverberations of Europe's colonial past. For instance, one cannot avoid the irony of Aurora telling Santa she is imprisoned by a monster. I yearned for more as the credits rolled.

  • Frankly, Mr. Shankly's rating of the film Tabu

    Occasionally uneven but still an interesting and unusual melodrama with stunning cinematography and sound design –- somehow it made me think about Apichatpong Weerasethakul films, which really really pleased me.

İlgili filmler