Film, Sili isminde Dakar’ın varoş gecekondu bölgesinde yaşayan genç, okumamış, sakat bir kızın; kör büyükannesinin sokaklarda dilenmeyi bırakması için fiziksel olarak zorlanarak gazete satma işine başlamasını konu ediniyor.
Bu film şu anda MUBI'de oynamıyor ama şu anda oynayan 30 diğer harika film var. Lütfen Şimdi Gösteriliyor sayfamızı ziyaret et.
Mambety called it a "Hymn" and I can't think of a more accurate description. Its expresses the courageous innards of the marginalized while not pandering or exoticizing their plights.
Plus it has one of the best scores Ive ever listened too.
4,5. Without the iconoclastic and kinetic experimentation of some of his previous films, this movie is a fictionalized portrait of a generation, a people, a territory, an economic and cultural reality. Shortly, with an impressive wealth of nuances and the unparalleled accuracy of a plastic and ethical look, Mambéty remakes a cinema done at the expense of "good feelings", from within and with no complacency.
Just saw this for the first time. It's a perfect film. I knew I was going to like it when they shot the man's hands, dust-covered, making gravel with a hammer. The heroine is all muscle, and the film maker creates scenes in which she soars.
Djibril Diop Mambety's swan song, perhaps my most favorite African film ever. 45 minutes long, I call it a feature film, not a short, as it is a powerful and complete story. Touki Bouki is perhaps the most famous West African film, but I love this one even more. Lissa Balera stars, and she also has a cameo in "Le Franc". Where is she now? Mambety only made 7 films in his life, if you only see one, see this one.
I have not had this bittersweet feeling in my chest since I was a kid and read Soviet books about smart, enterprising kids overcoming adversity. Such a beautiful portrait of the street youth, and an uplifting parable on why being kind matters. This is my first Mambety, and I'm brokenhearted that he died during the filming. Happy to learn that Lissa Balera was able to attend school with the money she made filming.
The theme of children's plight in the developing world is both moving and essential for any political vision. In Mambèty's film any melodramatic addenda are redundant as the realism and the girl's dignified struggle for a living are elegantly woven into a filmic 'brochure' about colonialism and communal divisions, childhood and abrupt maturation. The dramaturgy may be toned down, but it is powerful enough as is.
A beautiful & compassionate film from Senegal about a physically crippled girl who decides to make a living selling newspapers. At a concise 45 minutes, the film is able to depict a full-fledged human being & in them show something that resembles the human condition. Directed by Djibril Diop Mambety, this was his last film before dying of lung cancer. This is a major work, regardless of being a feature film or short