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/10
27 Puanlama
THE SONG OF HOME
ふるさとの歌 | Furusato no uta
Özet
Kenji Mizoguchi’s earliest surviving film is structured around the contrast of two country-bred boys: a coach driver who has never left his home, and a student who returns from Tokyo with city-slicker affectations and Western jazz records.
Özet
Kenji Mizoguchi’s earliest surviving film is structured around the contrast of two country-bred boys: a coach driver who has never left his home, and a student who returns from Tokyo with city-slicker affectations and Western jazz records.