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Seni Sevmeyecegim
Luis Buñuel Ispanya, 1970
Filming in Franco’s Spain with the sufferance of the Church, Buñuel set the action in pre-Civil War Toledo, but his sly, ironic fancies do the established order no favors. Here, the rigid rituals of duty and honor form an inextricable bond of pleasure and degradation, of sex and death—and render sin all the more exciting.
July 14, 2014
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Tristana, one of the greatest films from Buñuel’s extremely rich late period, bookended by Diary of a Chambermaid (1964) and his final movie, That Obscure Object of Desire (1977), exemplifies the director’s skill in skewering the entitled classes.
July 09, 2014
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Power is the central theme of “Tristana,” as developed through a head-spinning sequence of Buñuelian paradoxes.
March 29, 2013
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Both Tristana and Don Lope are strong characters, though rarely at the same time. In fact, they seem to thrive on the other’s weaknesses, keeping each other alive and motivated until of one realizes the innate potential of their inner passion and usurps the willpower of the other.
March 13, 2013
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Without concern for thematic subtlety, the film is a black fable that foils sanctity and sin, sexual freedom and psychological servitude, satirically exposing the perversity of blue-blooded mores along the way.
March 12, 2013
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