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Özet
Unhurried in its rhythm, this impressionistic film portrays the director’s hometown. Her camera lens captures Dobrodzień (or Guttentag, which is its pre-war name) as a place marked with the memory of its former residents – Poles, Germans and Jews – and their complicated coexistence.
Özet
Unhurried in its rhythm, this impressionistic film portrays the director’s hometown. Her camera lens captures Dobrodzień (or Guttentag, which is its pre-war name) as a place marked with the memory of its former residents – Poles, Germans and Jews – and their complicated coexistence.