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THE LIVING AND THE DAMNED: TWO FILMS BY BÉLA TARR

A colossus on the world cinema stage, it would be safe to say that the reputation of Hungarian master Béla Tarr precedes him. With a rigorous style defined by languorously elaborate black-and-white tracking shots, his films drift through godforsaken wastelands forever on the brink of one apocalypse or another. While there may be no escaping Tarr’s preoccupations with the drudgery of...

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