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Photo of Christoph Schlingensief
Photo of Christoph Schlingensief

Christoph Schlingensief

“There is nothing better than hurling big issues at a mesmerized, laughing audience. I always liked that about (Joseph) Beuys, that he never stubbornly presented his theories.”

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    THE 120 DAYS OF BOTTROP

    Christoph Schlingensief Germany, 1997

    Fassbinder, Pasolini, Udo Kier, Margit Carstensen and Helmut Berger: these are the ingredients for Christoph Schlingensief’s uncompromising tribute to Rainer Werner Fassbinder and a slap in the face of the German film industry.

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    MY 1. MOVIE

    Christoph Schlingensief West Germany, 1968

    Orson Welles made his first film at the tender age of 19. If you think that quite a feat, get this: My 1. Movie was made when renegade artist Christoph Schlingensiefwas just 7! Another reason Schlingensief is so inspiring—you’re never too young to be inspired and to start creating.

    TERROR 2000

    Christoph Schlingensief Germany, 1992

    Christoph Schlingensief’s contempt for German identity and his nation’s tendency to disregard the past is provocatively emphasized in Terror 2000, the third part of his German trilogy–a trashy, over-the-top farce filled with Nazi debauchery and repulsive perversions. Sensitive souls, beware!

    100 YEARS OF ADOLF HITLER

    Christoph Schlingensief West Germany, 1989

    Notorious multidisciplinary German artist Christoph Schlingenseif’s “underground” film was shot over 16 hours in the darkness of a real World War II bunker with only a flashlight to illuminate the insanity.

    MENU TOTAL

    Christoph Schlingensief West Germany, 1986

    Christoph Schlingensief’s second feature film is a grainy black-and-white nightmare, with a tone and texture reminiscent of early talkies. A spiteful and wacky representation of the lingering influence of Nazism in a fictional Germany filled with freakish sickos.

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