“It was one of the most bizarre experiences — not the set or dealing with anyone, but the secrecy surrounding it. I’ve never really dealt with a project of that scale. The level of perfection that [Nolan] wants, he doesn’t like to do a whole bunch of takes on stuff so it kind of had to be right immediately. Generally what you do when you get a call time is the [Associate Director] would then read you your lines for the next day because no one got scripts. So you could kind of at least have in your mind roughly what you were going to be doing the next day. Then you’d get to set and it would all change, and it was like that constantly. It was incredibly freeing as an actor but incredibly scary.”