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Photo of Joaquim Pinto
Photo of Joaquim Pinto

Joaquim Pinto

[Max Nelson on Joaquim Pinto]: He was stunned by Pasolini’s Teorema, which, like his own recent movies, is about the ways that matter can be both animated and destroyed by contact with something immaterial.

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    VISIT, OR MEMORIES AND CONFESSIONS

    Manoel de Oliveira Portugal, 1982

    The director, Manoel de Oliveira, is in the Porto house where he has lived for decades, preparing to leave due to mounting debts. He addresses the audience directly, discussing family history, cinema, and architecture, sharing home movies, and reenacting his run-in with the military dictatorship.

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