Photo of Ula Stöckl
Photo of Ula Stöckl

Ula Stöckl

“I have never been an active member in the women’s movement and have been criticized frequently for that. Yet the women’s movement developed parallel to me. I was already making films when it began to organise and formulate goals.”

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    THE CAT HAS NINE LIVES

    ULA STÖCKL West Germany, 1968

    Akin to Agnès Varda and Věra Chytilová, Ula Stöckl saw a wild bouquet of vibrant possibility in the 1960s, and became one of the first feminist directors in West Germany. In her playful, polyphonic film about a quintet of newly independent women, modern femininity is an infectious and lively melody.

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