“I am interested in abstracting representational images, especially by shooting methods or in-camera editing. It may sound similar to how a painter makes an abstract painting from direct-observation, and it is true for Clear Blue Sky, but for the single-framed films, I try to produce abstract time and space from real time and space, letting the viewers be aware of human visual perception and the cinema apparatus. I am also interested in shooting in the real world, documenting the environments at the time when I am there, even though it is getting more difficult to shoot in the public space.”