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Alphaville, une étrange aventure de Lemmy Caution

Frankreich, Italien, 1965

Darum geht's

Die Zukunft von Paris: eine Stadt, in der die Liebe verboten ist, ein Ort, der Schwarz in Weiß verwandelt und Positiv in Negativ. In dieser Welt findest sich der intergalaktische Held Lemmy Caution wieder, dessen Mission es ist, den Erfinder des faschistoiden Computer Alpha 60 umzubringen.

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Alphaville Regie Jean-Luc Godard
Godard’s film has the makings of a retro classic—with elements of noir and a trench coat-sporting, Bogartesque Eddie Constantine as its lead, detective Lemmy Caution—but it’s set in a dystopian future run by a tyrannical machine called Alpha 60. Though this is a science-fiction film, Godard isn’t interested in flashy special effects, instead playing in the dramatic light and shadows captured by the late, great cinematographer Raoul Coutard.
April 05, 2017
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Alphaville – the product of this debate – is a deeply stylish and alluring film which flatters the viewer’s taste and appreciation for modern design; we are reminded of Anna Karina’s descent, wearing a chic black fur-trimmed robe, down a spiralling marble staircase; the echoing white, gold, and glass auditorium of a central hotel. We see the presence of cars, radios, televisions, screens, as if Godard had constructed the mise-en-scene from a collage of marketing brochures and advertising copy.
July 10, 2016
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What really matters is the atmosphere, rife with ominous shadows (courtesy ace DP Raoul Coutard, turning Paris circa 1965 into an ultra-convincing dystopia) and populated by those two quintessential Godard elements: girls and guns.
February 04, 2014
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