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4.3
5.410 Bewertungen

Schreie und Flüstern

Viskningar och rop

Schweden, 1972
Drama

Darum geht's

Schweden, Ende des 18. Jahrhunderts. Karin und Maria kehren auf den elterlichen Landsitz zurück, um sich von ihrer krebskranken Schwester Agnes zu verabschieden. Angesichts des nahen Todes nehmen die Besucher ihren Aufenthalt zum Anlass, eigene Ängste und Enttäuschungen zu reflektieren.

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Schreie und Flüstern Regie Ingmar Bergman

Auszeichnungen & Festivals

Cannes Film Festival

1973 | Gewinner: Technical Grand Prize

Academy Awards

1974 | Gewinner: Best Cinematography

1974 | 4 Nominiert unter anderem: Best Picture

National Board of Review

1973 | 3 Gewinne unter anderem: Best Director

The idea came to Bergman in the form of an image of a room in a large house at the turn of the century, in which everything is red except for four women in white. Nykvist captures both the dazzling beauty of this tableau as well as its slow transformation into a portrait of ugliness and death as the sisters’ fears and mutual contempt emerge. The suffusion of red not only stresses the blood ties that suffocate their lives but the barely suppressed rage that poisons the atmosphere.
February 05, 2018
Ganzen Artikel lesen
The psychodramas on top of and below the primary-colors-in-Vermeer’s-nightmares surface have their own Bergmanic inevitability and naked torque. So much has been written about the film already, but little of it nails its impact, which is holistic and derives from a boiling mix of saturated color, scalding intimacy, compositional ideas that effortlessly evoke both medieval and Freudian iconography, immersive performances, and a blood-pumping state of intense psychological and familial crisis.
July 01, 2015
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Its achievement, making it emerge from Bergman’s extraordinary corpus as unique, is in its incandescent touching of love and horror in their fullest extremes. This is pursued in particular in the film’s sensual apprehension of women, adored and loathed, in their attention to each other, in their holding and touching, as Bergman lets Cries and Whispers summon all at once, in perfection, the blossom softness of the mother’s body and the uncanny, hot and cold beauty of the female corpse.
April 02, 2015
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