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Holy Motors

Regie Léos Carax
Frankreich, Deutschland, 2012

Darum geht's

Vom Sonnenaufgang bis tief in die Nacht: einige Stunden im Leben von Monsieur Oscar, einer schattenhaften Existenz, die von einem Leben ins nächste schweift. Mal ist er ein Industriekapitän, mal ein Killer, ein Bettler, ein Monster oder ein treusorgender Familienvater. Aber wann ist er er selbst?

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Holy Motors Regie Léos Carax

Auszeichnungen & Festivals

Cannes Film Festival

2012 | Gewinner: Award of the Youth

Village Voice Film Poll

2012 | 2 Vize-Preise unter anderem: Best Actor

2012 | Dritter Platz: Best Director

2012 | Nominiert: Best Supporting Actress

Indiewire Critics' Poll

2012 | 2 Gewinne unter anderem: Best Film

2012 | Dritter Platz: Best Director

Formally, the film is an excuse for Carax to try as many styles as he can—slapstick comedy, rock musical, monster movie—and reference a century’s worth of cinephilia. And Lavant is the vehicle for his director’s versatility, trying on a variety of (dis)guises . . . and proving himself in the process to be one of the wildest and most inventive physical comedians of all time.
June 06, 2018
Ganzen Artikel lesen
In Holy Motors, Lavant, who was 23 at the time of Boy Meets Girl, is the mirror image of the filmmaker’s own youth, turned into a spectacle and an object of (cinematic) desire – so cinephilic references are part of the game: we are the sum of the films we have beloved.
March 17, 2013
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To say that HOLY MOTORS is Leos Carax’s valentine to film and filmmaking would be appropriate both for the recent holiday and the film that is itself rife with overused clichés. That word is surprisingly apt for Carax’s film, though only in the most literal sense: he addresses the overwrought concepts of filmgoing and filmmaking, but in a uniquely lyrical way that is respective to the madhouse stylings of the wunderkind-film-critic-turned-filmmaker.
February 15, 2013
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