Godard stars as an eccentric filmmaker in this fragmentary love poem from his 1980s period. Loosely based on Bizet’s opera, First Name: Carmen reinvents cinema into elliptical broken rhythms and passages of poetry to renew one of the oldest of tales: that of two lovers on the run.

A film from Godard’s 1980s period of reinvention, Détective has images as beautiful as paintings and cleverly fragments shards of movie conventions to forge new critiques. Promising his producers a genre film, they instead got a caustically funny remix of all possible hotel movie mysteries.