“[On Cinema, mon amour ] I realized that nobody really knew the actual situation of all the Romanian cinemas, which was a real surprise, so we did the job ourselves: locating cinemas, collecting data, taking photos and, of course, recording all the stories of the cinemas that still have a bit of life thanks to the people who work there. This is the reason that my documentary is about the people inside the cinema, who disappear along with the actual building, not about the cinema itself.”