Photo of C. Mason Wells

C. Mason Wells

“You find that a lot of people who write about film, now, which is really surprising to me, have no idea about the technical aspects of films or how they’re even made. Even small low budget ones, which are pretty easy to find someone making something like that and go on the set and just see what it feels like, what the rhythms are like how the actors work. Obviously, it’s different from filmmaker to filmmaker and actor to actor, there are no universal truths with it, but do some of that gives you such a greater understanding of how it all works. And I think, also, filmmakers should be watching lots of movies, should be writing about lots of movies. To me, they’re all different sides of the same coin and they all feed into one another.”

Available to Watch

    The Color Wheel

    THE COLOR WHEEL

    ALEX ROSS PERRY United States, 2011

    Before Listen Up Philip, Queen of Earth, and Her Smell, indie director Alex Ross Perry grabbed our attention with this wonderfully acerbic second feature. An uproariously abrasive, fast-paced comedy road movie about a hyper dysfunctional brother-sister duo, shot on gorgeous 16mm B&W film.

    The Great Pretender

    THE GREAT PRETENDER

    NATHAN SILVER United States, 2018

    Sean Price Williams’ extraordinary camerawork is unmissable in this striking dark comedy directed by indie mainstay Nathan Silver. His camera fixates on a group of friends (including Esther Garrel!) in extreme close-up as a range of atmospheric colors permeate their faces.

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