“I think if you are making a film about the social collective you are also making a public intervention, politically you are making an intervention and you choose cinema to do it. When you are doing that, why is there a diffidence or hesitation to articulate a political position? To me it raises questions about aesthetics and politics; does the style of filmmaking determine your politics? Or does the way of looking determine your politics and style, which, of course, could be poetic.”