“Whenever I’m asked how I thought of something, I don’t have a good answer because it’s very instinctive in the short format, at least in the moment. I write visually; I think intimacy and the whole feel [of a film] are written out before they happen on set. My cinematographer is my best friend [Konstantinos Koukoulios], which is important; it correlates to the situations I try to depict in my films, the fact that I tend to work with people I know, with whom I’m intimate with myself. This comes out very, very naturally. It also comes from a decision I made early on, that I don’t like fixed cameras; I moved to handheld cinematography while still in school. All of our film exercises required fixed positions and tripods and I wasn’t feeling free at all.”