“I found I didn't get bored spending hours and hours poring over images and sequences of images, constructing and deconstructing fleeting narratives — some taking place between a couple of frames; at times gazing at rows of images — one hardly different from the next in a sequence — and meditating on such metaphysical questions (as only the under-employed can usefully indulge in) as to just how much time one could say, while holding the strip of film between their fingers, had passed between them right there in their plastic present tense.”