“Producing today is similar to the state writers are in. You can have fifty-two writers brought on over the course of a project, re-writes and Studio polishes, etc, and then when it comes out you have fifty-two writers claiming creative merit. In modern filmmaking it's not uncommon to have eighteen producers on a project. When it comes to our movies we're very careful throwing around titles. The title that's most important to us is 'Producer', simply ...Producer.”