“When I think of it, I think of Tarkovsky and that iconic shot from ‘Mirror’, intense wind swaying grass fields behind the mother who is sitting on a broken wooden fence. Or the shot from the ‘Burning’, the girl stands up after a couple of marijuana drags and leisurely dances against the perfectly timed golden-hour sky. It’s not over-stylized, erotic, or pretentious. It evokes something that can’t be put into words. It's expressive, enigmatic and yet it's simply very elegant. That is cinema, that is its beauty.”