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Manolo Bolognini

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    The Possessed

    THE POSSESSED

    LUIGI BAZZONI, FRANCO ROSSELLINI Italy, 1965

    Building a bridge between noir and the then-nascent giallo genre, co-director Luigi Bazzoni’s innovative debut is an ominously atmospheric true-crime mystery. With liminal spaces reminiscent of Antonioni, The Possessed marries arthouse to grindhouse for a fevered tale of madness and murder.

    The Skin

    THE SKIN

    LILIANA CAVANI France, 1981

    Starring Burt Lancaster and Marcello Mastroianni, this past Palme d’Or contender is set in post-fascist Naples, where food prices are inflated but women’s bodies come cheap. War is often erotic in Liliana Cavani’s films—and here its economically, politically fraught aftermath plays out sexually too.

    The Fifth Cord

    THE FIFTH CORD

    LUIGI BAZZONI Italy, 1971

    He may not have the brand recognition of Dario Argento, but Luigi Bazzoni was every bit the giallo master. With a score by Ennio Morricone, cinematography by the legendary Vittorio Storaro, and a cast of genre stalwarts led by Franco Nero (Django), this alluring murder mystery has style to spare.

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