“This [kind of system] is the norm now, the standard, but I haven't always worked that way and I have some misgivings about it. The people we train now, they think to work any other way is just absurd or ridiculous. But I still think there is a virtue in animating what we call "blind." The thing about working with the computer, working reactively, as it were, is that you see what you've done and then you react to it and even correct it. That's what wrong to me. If you work without a computer, you work directly, instinctively. I think of animation as a performance, a live event. It's slow and painful , but even so, it's a live performance just the same.”