“The physicality required in ['Fear the Night'] was something, because it's one thing to read a script from the comfort of your home and just think, ‘Oh yeah, lots of witty banter.’ Then you're suddenly there and have been doing scenes for 10 hours, and it's four in the morning, and it’s cold, and now you got to do a fight sequence. It's weird, the translation of things that you thought were in your mind and what actually happens.”