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Critics reviews

2/DUO

Nobuhiro Suwa Japan, 1997
The placements and displacements of [Suwa's] camera in 2/Duo are often extraordinary in elucidating the essence of a scene. What initially might seem a perverse choice of camera angle turns out to be a highly original and compelling definition of where documentary and dramatic truth might be found — a definition that resculpts conventional priorities regarding how a particular scene should be read, thereby encouraging us to reconceptualize its meaning.
Jonathan Rosenbaum
February 26, 1999
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