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CALL HER SAVAGE

John Francis Dillon United States, 1932
In this pre-Code tale, it's Bow's vixenish charisma that takes center stage.
March 23, 2016
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Self-Styled Siren
The main attraction, no question, is Bow. She spends a lot of time in barely-there costumes, she looks ravishing, and Dillon's camera ogles her breasts so often that after seeing Call Her Savage you can piece it together and truthfully say you've seen Clara Bow topless... Despite that rather degrading scene with the Great Dane this is, in many ways, an ideal vehicle for Bow because it requires simmering physicality and the nerve to go all-out in nearly every scene.
October 10, 2012