It’s a pity that this heartfelt thread of two lonely young women, hounded down by promiscuous men, and who then try to rekindle some sense of hope in the ruins and to create a domestic normalcy, comes too late in the film to be anything but a half-baked after-thought. It could have given Dau more zest and provided a welcome respite from its relentless-machismo spin.
Ela Bittencourt
May 28, 2020