Though Dr. Strangelove was the work of surgical, precise, brilliant filmmaking, Kubrick knew it too well—and couldn't help but broadcast his genius with every composition and cut. With Lumet you get a more levelheaded, unpretentious buildup, which makes the flourishes all the more hard-hitting—such as a climax that suddenly breaks the studio-bound claustrophobia to show the startling authenticity of New York streets, and freeze-framed civilians quite oblivious to the pending doom.
Michael Pattison
May 9, 2016