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Critics reviews

FOUR AROUND A WOMAN

Fritz Lang Germany, 1921
Even when depicting the lifestyles of the rich Lang's mise-en-scene never quite approaches the delirious, almost surreal decadence of contemporaries such as Erich von Stroheim or Josef von Sternberg. His tableaus reveal an incredible adeptness for the tactile rendering of public spaces.
March 11, 2014
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The New York Times
The opening shot of "Four Around the Woman" (1921) seems to announce the arrival of Lang's mature, geometric visual style.
November 9, 2012