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Critics reviews

HIMIKO

Masahiro Shinoda Japan, 1974
It's the kind of experimental cinema that no studio would have financed, complete with a discordant Takemitsu score, extreme violence, and butoh dancers gamboling in wild costumes and various states of undress. Himiko is, surprisingly, a perfect flip-side to Silence, with both equally about political power and religious faith, and a pair of cultures colliding violently over the two.
February 24, 2017
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