Critics reviews

KISS is that skeleton key that allows us entry to his cinematic aesthetic: conflicted and opaque, sinister and aroused, captivated and deliriously distracted. And like nearly all Warhol films, to view it is to experience a world of bewildering transcendence, of bodies metamorphosed into machines of mysterious purpose and unknown origin, and of such overwhelming eroticism and melancholy that every facet of the human form becomes an object of delight.