Critics reviews

Though occasionally Akcay’s screenplay either skirts facile Freudian territory [...] or threatens to devolve into soapy antics (notably its calmly played but contents-wise over-the-top ending), the tone is generally quite straightforwardly dramatic, with the naturalistic acting and modest but solid production values moving the proceedings further away from TV-style melodrama.

The title could not be more on point. Family members have lost their sense of identity and any sense of belonging ever since they lost their father. Everyone reacts in their own way, consumed by their own personal drama. [...] Tragedy is just around the corner, and Nobody's Home lets us see this tragedy, in all its inescapability.