Beautiful, interesting, incredible cinema.
Critics reviews
STREET WITHOUT END
Mikio Naruse Japan, 1934
The trouble with the film, from this point of view, is that Sugiko's second-rate life plays out without enough interest or surprise. The climax of the marital story, with Sugiko liberating herself by hardening herself against compassion, thereby causing a death, seems to me a bit emotionally confusing, not well worked out in terms of its causes or effects.
Dan Sallitt
June 6, 2016
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