Critics reviews

Just like [The Wolf House,] Los Huesos adheres to the surrealist element... and the short quickly enters body horror territory... While [it] can be appreciated for its artistic value, Cociña and León add an enormous amount of subtext and layers dealing with Chile’s history and its political origins.

The [body] parts [in The Bones] morph in ways both comical and referential... [and] though the overall effect is quite chilling, there is playfulness behind [their] morbid dance.