Competing against Costa da Morte and Distant in the festival's Cineasti del presente strand was Alexander Carver and Daniel Schmidt's The Unity of All Things, a bizarre, gentle, and lyrical meld of sci-fi, incest, and pantheism whose press screenings caused more walkouts in its first 10 minutes than any other. Almost parodic in its voiceover's polysyllabic mumbo jumbo, the film also demonstrates how irrationally beautiful something can be when shot and scored well...
Michael Pattison
August 19, 2013