Bruce LaBruce's Top Ten

Top Ten by Bruce LaBruce

L’avventura (Antonioni) Only Antonioni could make a film about sexual compulsion seem so glamorous; it might have been called Sex and Architecture.

The Bellboy (Lewis) Monsieur Lewis’ directorial debut, comprised mostly of sight gags and slapstick purloined from the silent era, achieves postmodern complexity before the term existed.

Boy (Oshima) This allegorical story of a boy who throws himself in front of moving vehicles in order to extort money from the drivers to support his family dismantles traditional Japanese culture and cinema with a nouvelle vague sensibility.

Dawn...