A lot of movies deal with the ambivalent “event” of suicide. Many films would have it that suicide is always ONLY unknowable (ie Mulholland Drive), and often employ it as a kind of “privileged point of destabilization,” as Catherine Russell says about mortality in narratives. 

The question kind of becomes: “Ok. Now what?”

On the other hand…

A lot of movies deal with the ambivalent &#8220;event&#8221; of suicide. Many films would have it that suicide is always ONLY unknowable (ie Mulholland Drive), and often employ it as a kind of &#8220;privileged point of destabilization,&#8221; as Catherine Russell says about mortality in narratives.
The question kind of becomes: &#8220;Ok. Now what?&#8221;
On the other hand&#8230;

Cinema of Suicide

Cinema of Suicide