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Muscular Art

user_profile:user_profile.profile_pictureby Sandy Connell
Films 34
Comments 1
Followers 9

The flimsy, delicate, sensuous, unknowable and sometimes veiled nature of Art rarely enjoys the kind of sturdy, forceful, plainly suggestive support of a firmly crafted, well-built, muscular filmmaking style being put through its paces.


Lee Marvin in POINT BLANK (1967)

Tom Hardy in BRONSON (2008)

Tony Curtis in THE BOSTON STRANGLER (1968)

Max von Sydow uproots a fucking tree (!!!) in THE VIRGIN SPRING (1960)

Terrence Stamp in THE HIT (1984)

Films Of Every Colour

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