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In an interview from 2017, the glorious Agnès Varda said that she wanted to be “on the side of daydream, of utopia. I want to be on the side of the question: could art help people?” Ever since the French filmmaker took to the seventh art in the mid-1950s, this inclination towards play, hope, and collective care blossomed across a body of work that is eclectic, but always animated by...