Hal Hartley’s cinema of misfits sauntered onto the American indie scene like a whirlwind of Gen X disillusionment and stylish European arthouse flair. On the one hand, the young protagonists in his late-1980s and early-1990s films are very much of the cultural zeitgeist, occupying a cinematic space between the romantic sunniness of John Hughes and the grungy stylization of Jim Jarmusch....