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Like his most famous film Wavelength, Michael Snow’s Back and Forth uses a specific formal/mechanical property of the cinematic apparatus (in this case, horizontal and vertical panning) to sever the link between the camera and what it depicts.
Like his most famous film Wavelength, Michael Snow’s Back and Forth uses a specific formal/mechanical property of the cinematic apparatus (in this case, horizontal and vertical panning) to sever the link between the camera and what it depicts.