1940, Thom and Mars have built a machine, LOLA, that can intercept radio and TV broadcasts from the future.

Imagining a magical device that transmits TV broadcasts from the future, Andrew Legge’s 1940s-set feature debut wondrously blends the thrills of time travel and found-footage films. Anchored by a sweet bond between sisters, Lola also cautions against the temptation to alter the course of history.