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Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s recently restored UFOs is a kinetic tour-de-force whose innovative pixel pigmentation predated advances in stereoscopic technology by decades.
Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s recently restored UFOs is a kinetic tour-de-force whose innovative pixel pigmentation predated advances in stereoscopic technology by decades.