In a desperate search to create a follow-up to Joe Swanberg’s 2011 film Uncle Kent, Kent Osborne travels to a comic book convention in San Diego where he loses his mind and confronts the end of the world.

We know what you’re thinking, “but I haven’t seen the first Uncle Kent” (or perhaps “what is Uncle Kent?”), but don’t fret—this is an entirely standalone film. A happily egregious sequel to end all sequels, Todd Rohal’s film is a welcome cocktail of sincere absurdity and filmmaking as playfulness.