Shakespeare’s intertwined love polygons begin to get complicated from the start—Demetrius and Lysander both want Hermia but she only has eyes for Lysander. Bad news is, Hermia’s father wants Demetrius for a son-in-law. On the outside is Helena, whose unrequited love burns hot for Demetrius.
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The best aspect of this film is its soundtrack. One of the very finest soundtracks, utilized very well. Lighting is likewise fantastic..... unfortunately, there's a real tangle of mix-matched performers and performances here. The director needed to reel in the slapstick humour a touch so it didn't interfere with the rest of the film.