An anonymous narrator outlines a bizarre, tongue-in-cheek journey taken through a domain known only as “H”, aided by a series of extraordinary maps and advice from a mysterious scholar named Tulse Luper.
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Hard not to think of Raúl Ruiz's inarguably superior The Hypothesis of the Stolen Painting (from the same year). Both film's could be read as humorous critiques of the excesses of 'interpretation,' especially as exemplified in the then-currently-hip deconstructionist flights of Jacques Derrida. We are talking art history as insane runaway train of fancy and bizarre conjecture. Obviously Michael Nyman is the man.
Excellent early short from Greenaway that exposes the elements of the features to come. Familiar themes and actions including list making, numerology, art criticism, the juxtaposition of nature and artistic expression, and of course the music of Michael Nyman. Fascinating watch for those familiar with the classics to follow.
A nice and serene experimental film, full of crazy ideas, overflowing storytelling and fanciful drawings. As far as I know it is Greenway's first collaboration with composer Michael Nyman who delivered a fine score, perfectly matching the visual montage.
An acknowledgement of the Very Serious Work of finding order in the (seeming! you can't fool Tulse!) chaos of the world & our lives; the taming of time & space. The road to H is paved with something interpretable, dammit! Extraordinarily immersive for a fiction realized mainly via sketches (framed, though!) & words. Or maybe that's Greenaway showing us we're better practiced at that sort of art than we care to admit.
I actually liked this short film. Here's the problem with a lot of Greenaway, I appreciate what he's doing but thoughtful, reflective pieces often clash with the reality of my lifestyle. It never seems to be the right time or atmosphere....the kid to take to school in the morning, my writing, the social time. This one worked because it felt like visiting an art gallery. and it was short. Sad commentary huh?